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Adobe Premiere Pro CC 7.0.0 Download
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Adobe Premiere Pro CC overview
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Adobe Premiere Pro is a useful application while editing your videos. This tool is preferred by the video editors and enthusiasts all over the world as it is developed by the world famous company Adobe. With the concept of timeline editing, Adobe Premiere Pro has made video production as easy as ABC. The plug-in system included in this video editing tool will allow you to export a wide range of video formats. All the tools in this application together, and its 3D editing capabilities have made Adobe Premiere Pro a very hot commodity to work with.
Working with videos while using Adobe Premiere Pro is very simple. All you have to do is start a new project and then add multimedia to it. Multimedia can be in the form of images, videos, and audio files. The files in the timeline can then be modified according to your preferences.
The most important development in Adobe Premiere Pro is that it now supports Track Targeting. With Track Targeting you will put source sequences into other sequences. Previously, this process was done by nesting. But now you can put source sequences into other sequences with or without overlapping. With Track Targeting, Adobe Premiere Pro actually allows you to position the track exactly where you want it to be in your video.
Adobe Premiere Pro has also been improved by introducing GPU acceleration technology. This technology will allow you to view video results without viewing them first. In this way, you can save a lot of your valuable time, sitting will speed up the work flow. If you are comfortable in the older version,
A lot of video editing software has to go through the tedious and time consuming transcoding process because they are not able to integrate with all cameras. Adobe Premiere Pro has other ideas and it supports a variety of cameras such as Nikon, Panasonic, Kodak, BenQ, etc. This makes it possible to edit the digital videos that were recorded from the above cameras and many more.
Adobe Premiere Pro has great integration with other Adobe applications such as After Effects, Photoshop, and Audition to name a few. This will help you move your project effortlessly from one Adobe application to another.
All in all Adobe Premiere Pro is a very useful application that will let you edit videos in a charming way.
Premiere Pro has a flexible and good-looking interface. The startup view helps you quickly access projects you've been working on, start new projects, or search Adobe Stock. The program's darkened window makes your clips the center of attention, and you can switch between functions such as grouping, editing, color, effects, audio, and titles. You can edit these or create your own custom workspaces, and even drag any of their panels and float them wherever you want on your display(s). You can now create content boxes based on search terms.
By default, the editor uses a four-panel layout, with the source preview at the top left, the project preview at the top right, your project assets at the bottom left, and the timeline tracks along the bottom right. You can add and remove control buttons at will; Adobe has removed a group by default for a cleaner interface. Since many editors rely on keyboard shortcuts like J, K, and L to navigate through a project, fewer buttons and a clearer screen make a lot of sense. It's a very flexible interface, and you can undock and drag windows to your heart's content. When you mouse over a clip in the source panel, it scans through the video.
Premiere is now touch-friendly, allowing you to move clips and timeline elements with your finger or press buttons. You can also zoom in/out the time frame or video preview window. You can even set entry and exit points with a click on the thumbnails in the source container. Final Cut supports the new MacBook Pro Touch Bar, but I prefer the on-screen touch capability because, unlike the Touch Bar, the touch screen doesn't require you to take your eyes off the screen and therefore your video project.
When you click on a media thumbnail, you'll get a washbar and can specify entry and exit points right there, before inserting the clip into your project. Premiere offers several ways to insert a clip into your sequence. You can click the Insert or Overwrite button on the source preview screen, or you can just drag the clip thumbnail from the media browser onto the timeline or onto the preview screen. Pressing Command (or Ctrl on Windows) causes your clip to overwrite the contents of the timeline. You can even drag files directly from the operating system's file system into the project.
The media browser also has tabs for effects, tags, and history, the last of which can help you get back to a good place if you mess up. Tags have also been improved, with the ability to attach notes and place multiple tags at the same point in time. Markers can have periods in frame time codes, and the Markers tab shows you entries with all this for each mark in a segment or sequence. Clicking a tag entry here takes you directly to his point in the movie.
Any device that can create video footage is fair game for importing into Premiere Pro. The software can capture from tape, with scene detection, shuttle, and timecode settings. It also imports raw file format from professional cameras such as Arri Alexa, Canon Cinema EOS C300 and Red Epic. Resolutions up to 8K are supported. And of course, you can import videos from smartphones and DSLRs as well. For high frame rate video, the program allows you to use proxy media for faster editing.
Trimming Clips in Your Project
Premiere Pro continues to offer the four editing types that look like they belong in a water park - Roll, Ripple, Slip, and Slide - and adds a regular trim mode. They are all clearly accessible to the left of the timeline. The shape and color of the indicator gives visual cues about the type of modification you are dealing with. A welcome new possibility is that you can actually make adjustments during startup.
In a nice touch, holding down the mouse button while moving a clip's edit point (or double-clicking an edit point) opens a view of the two clips in the preview window. If you double-click the edit point, it switches to Trim mode, which displays the outgoing and incoming windows, with buttons to move back and forward 1 or 5 frames and another to apply the default transition.
As with Adobe Photoshop image layers, layer support in Premiere Pro allows you to apply adjustments. These will affect all paths below them. You can create a new adjustment layer by right clicking in the project panel. Then you drag it onto your timeline clip, and start applying effects.
Transitions and Effects
If you've been reading my recent enthusiast-level video editing software reviews, you might be surprised to learn that Premiere Pro only includes 38 transition options (you can, of course, install plug-ins for more). That's because in the professional community, most of those hundreds of transitions offered by the likes of CyberLink PowerDirector are considered tacky — if professionals want to make fancy transitions, they build their own stunning, custom transitions in After Effects or buy pre-polished transitions via third-party plug-ins.
Other than that, all the video effects you'd expect are there—keying, lighting, tinting, and transforming. You can apply an effect by just double clicking. The search box makes it easy to find the effect or transition you need.
The Warp Stabilize feature, brought over from After Effects, is very effective at smoothing out bumpy videos. But it takes time, analyzing one frame at a time. You can adjust the amount of cropping, adjust the smoothness ratio, and adjust borders automatically. But the long wait is paying off. The result was noticeably smoother than it was in Final Cut Pro X in my testing.
High on the list of new features in Premiere Pro are new collaboration features. Creative Cloud Libraries let you store and organize assets online, and the demo team projects feature lets editors and motion graphics artists using After Effects collaborate in real time. Teams features are only available for business-level accounts, which cost $29.99 per user, per month. Any Premiere user can sync settings with Creative Cloud for editing from different computers and locations. It also means that editors can go to any device running Premiere and see their environment edits replicated by logging into the cloud.
360 VR Video - 360 VR Video
Premiere allows you to view VR footage in 360 degrees and change the field of view and angle. You can view this content in anaglyph, which is a fancy way of saying that you can see it in 3D using standard red and blue glasses. You can also make your own video track and display a head-up display.
However, the program couldn't open my Samsung Gear 360 footage unless it had already been converted to a rectangular format. Corel VideoStudio, CyberLink PowerDirector, and Pinnacle Studio can all open footage without this conversion. You can't see the spherical view side by side with the flat view like you can in those apps, but you can easily switch between those views if you add a VR button to the preview window. Helpfully, the tool allows you to mark a video as VR, so Facebook or YouTube can tell it's 360-degree content.
Multi-Camera Angle Editing
Multiple cameras in Premiere can now accommodate an unlimited number of angles, limited only by the capabilities of your system. Final Cut Pro X only lets you work with 64 angles, though most projects won't need more. In Premiere, you can select your clips and choose to create a multicam source sequence from the right-click or crop menus, and then choose a sync method. The program now does a good job of syncing clips based on their sound, which is useful for DSLR-shot clips, since they don't have time codes. As in Final Cut, the Multi-Camera screen allows you to record angle changes while the composite video is playing, by either simply tapping the corresponding angle square or number. You can then adjust the cuts using the normal editing tools.
Color Adjustments and Effects
Lumetri Color Tools in Premiere elevates the program to Photoshop status for video. These tools offer an impressive amount of color manipulation, along with an impressive selection of movies and HDR looks. You can adjust white balance, exposure, contrast, highlights, shadows, and black point — all of which can be activated using keyframes. Saturation, Vibrance, Faded Film, and Sharpen adjustments are also available. But the curves and color wheel options are really cool. There's also a very nice Lumetri Scope view, which shows the current frame's relative use of red, green, and blue.
You can choose to apply any of these effects only to masked areas, which you can create from polygons or with the Pen tool. However, for motion, and tracking, you need to look into After Effects, so these masks don't track a face for example.
I miss Final Cut Pro X's automatic color matching feature, which gives adjacent scenes consistency. Again, the recommended way to approach this is to use fellow Creative Cloud software After Effects or SpeedGrade.
Premiere Pro's audio mixer displays pan, balance, VU meters, trim indicators, and mute/solo for all timeline tracks. You can use it to make modifications while the project is running. New tracks are created automatically when you drop a track into the timeline, and you can select types such as Standard (which can contain a combination of mono and stereo files), Mono, Stereo, 5.1 and Adaptive. Double-clicking the VU meters or stir dials will return their levels to zero.
The volume counters next to your timeline are resizable and allow you to view any track individually. The software also supports hardware controllers and VSP plug-ins. If you have Adobe Audition installed, you can transfer audio between that and Premiere for advanced technologies like Adaptive Noise Reduction, Parametric EQ, Automatic Click Removal, Studio Reverb, and compression.
Titles and Captions
As you might expect, Premiere Pro offers a wide range of text options for titles and captions. It can import XML or SRT files. For titles, you get a great selection of fonts, including Adobe Typekit fonts. You can choose leading and kerning, rolling, crawling, rotation, opacity, texture, and more. As in Photoshop, you can apply strokes and shadows to any line. Advanced text animation again falls to After Effects. By comparison, enthusiast-level programs like PowerDirector and Pinnacle Studio offer a good selection of title animations right in the video editor.
Auxiliary applications - Ancillary Apps
One of Premiere's strengths is the way it works with other Adobe CC applications. In particular, video editors usually need to create assets in Photoshop and After Effects. You can transfer content between applications in their original format without the need for any kind of conversion, by choosing the Adobe Dynamic Link menu. This allows your project to interact with After Effects, Audition (for audio), Encore, Media Encoder, Prelude (for media ingestion), SpeedGrade (for color grading), and Story (script development). Apple's Final Cut can't match this range of production tools. In addition to Adobe's own applications that help extend Premiere Pro, all industry giants - such as GenArts, NewBlue and Red Giant - offer plug-ins.
Mobile apps get in on the action, too. With Premiere Clip, you can start projects on your smartphone and finish them in Premiere. I tried the app on my iPhone, and it's an attractive little video editor even for those without Premiere on their desktop. The app lets you join clips, adjust lighting, add fades, and include a background audio clip. I wish it only allowed you to rotate the video, because we humans are very prone to holding our phones in portrait orientation while filming. I suppose most professional projects edited with Premiere Pro won't have this concern, but you never know when you want to incorporate something that wasn't shot with a professional production in mind.
When I chose to cast to Premiere Pro CC on the mobile app, the desktop received notifications about it, and the movie and all component clips arrived in the Creative Cloud folder. I was a little disappointed that it didn't show up in the Creative Cloud synced files panel on the welcome screen. Instead, you must choose Convert Premiere Clip project from the File menu. After I did that, the project looked great inside the editor, complete with applied effects.
Output and performance
When you're done editing your movie, Premiere's Export option provides most of the formats you'll want, and for even more output options, you can use Adobe Encoder, which can target Facebook, Twitter, Vimeo, DVD, Blu-ray, and device uploads. The encoder allows you to bundle encryption to target multiple devices in a single task, such as mobile phones, iPads, and HDTVs. Premiere can also output media with H.265 and Rec. Color Space 2020, as can Final Cut However, Final Cut requires the separate purchase of Compressor 4 for $49.99 for this functionality.
Premiere Pro takes advantage of 64-bit CPUs and multiple cores. I tested on a recent iMac running macOS Sierra, a 2.5GHz Core i5 with 4GB of RAM and a 512MB AMD Radeon HD 6750M graphics card—not a maxed-out video editing workstation, but within stated software requirements, and I had I used a blazing fast machine it was hard to see differences in performance.
I also tested on a 4K touchscreen-equipped Asus Zen AiO Pro Z240IC running 64-bit Windows 10 Home loaded with 16GB of RAM, a quad-core Intel Core i7-6700T CPU, and an Nvidia GeForce GTX 960M discrete graphics card.
On a Mac, I sometimes encounter launch delays, making it hard to get to the point I want in a project. I can still turn stutter on with composite effects. The program didn't crash on the PC the way it used to, the way Final Cut still does sometimes. Premiere now automatically saves your work periodically, in case you forget about it.
Rendering test of a 4-minute project consisting of two 4K and two HD clips, with different transitions applied, to H.264 at 1080p30, Premiere Pro took 6 minutes 2 seconds. The test itself took Final Cut Pro 7:15 to render. The difference surprised me, as a few years ago, when I did the same comparison, the results were mirrored. On PC (using a different set of clips), Premiere Pro took 3 minutes 50 seconds, which isn't bad, though higher-end client programs from CyberLink and Corel were a bit faster: PowerDirector took 2:34 and Pinnacle Studio took 1 :56 for the same group of clips.
Worthy of the Red Carpet
There's no denying that Premiere Pro CC can do everything a professional video editor needs, and Adobe's professional video editing software takes the lead when it comes to collaboration features. Its close integration with After Effects, Photoshop, and the entire CC suite is also a definite benefit. It's such a huge program with such a huge set of capabilities that even such a lengthy review can hardly do it justice. With its massive toolset and rich ecosystem, Adobe Premiere Pro CC earns our Editors' Choice award for professional video editing software. Apple Final Cut Pro X's interface is more innovative in some ways, and the product adds some very useful tools like Roles, Experiments, and Clip Connections, making it a joint winner in this category.
Adobe Premiere Pro CC features
Below are some noticeable features which you’ll experience after Adobe Premiere Pro CC free download.
Videos can be edited in a very easy way.
The included plug-in system will allow you to import a wide range of video formats.
Includes 3D editing capabilities.
Editing based on schedule.
Supports targeting tracking.
Introducing GPU acceleration technology.
Saves your precious time.
Supports a variety of cameras and avoids transcoding.
Great integration with other Adobe applications.
Adobe Premiere Pro CC Technical Setup Details
Software Full Name: Adobe Premiere Pro CC 7.0.0
File Name: Adobe_Premiere_Pro_CC.rar
Full Setup Size: 1.1 GB
Setup Type: Offline Installer / Full Standalone Setup
Compatibility Architecture: 64-bit (x64)
Latest Version Added On: Sep 22, 2014
System requirements for Adobe Premiere Pro CC
Before you start Adobe Premiere Pro CC free download, make sure your PC meets minimum system requirements.
Operating System: Windows XP / Vista / 7/8
Memory (RAM): 4 GB of RAM required.
Hard Disk Space: 4 GB of free space required.
Processor: Intel® Core™ 2 Duo or AMD Phenom® II processor; 64-bit support required